EARLY MEDIEVAL STYLE - A.D. 500-850

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Musical Characteristics

 

Plainsong

  • Monophonic
  • Modal (based on the church modes)
  • Normally a cappella
  • Non-metric
  • Used free and flexible prose rhythms
  • Conjunct
  • Limited range
  • Sung in Latin
  • Uses a special neumatic notation
  • Largest and oldest genre of Christian music

Secular

  • Monophonic (may have included some improvised instrumental accompaniment)
  • Metrical (mostly in triple meter)
  • Stronger, more regular rhythm than plainsong
  • Used short recurrent rhythmic patterns
  • Clear phrase and sectional structure with repeated sections and refrains
  • Modal (favored Aeolian and Ionian)
  • Syllabic
  • In the Vernacular
  • Wider range of subjects than plainsong
  • Found mostly in France and Germany

Genre and Forms

Theorists, Treatises and Collections

  • Boethius (ca 480-524) Greek philosopher and mathematician; related music of his time to theories of the Greek philosophers; De Institutione
  • Isidore of Seville (ca 560-636) Spanish encyclopedist and historian; Archbishop of Seville; made contributions to chronology and historiography; Etymologiarum sive originum libri xx (622-33)
  • Cassiodorus (ca 485 - ca 580)

Composers and Major Works

Virtually all historical records of music during this time concerns sacred music.

There are no major composers or works of a secular nature from this period.

Hymnology

Last Updated: Saturday, February 14, 2009